Imprints burnt into the adolecsent's mind: the stained glass windows in Canterbury Cathedral that Christopher Marlowe would have studied as he sang in the choir.
Medieval stained glass depiction of the Crucifixion with flanking scenes of Old Testament "types." Bottom scene in the Corona Redemption Window (Corona I), c.1200-07. The central panel was fully recreated in 1853, but the surrounding scenes are medieval.
Medieval stained glass depiction of the Entombment of Christ in the Corona Redemption
Window (Corona I), c.1200-07.
Medieval stained glass depiction of the Resurrection. Third scene, Corona Redemption Window (Corona I), c.1200-07. The Resurrection of Christ in the central panel is flanked by two Old Testament "types": the dove returning to Noah with a branch in its beak and a scene which looks to be of the same flood.